Best Fujifilm Recipes of 2026: The 10 Most-Liked on FujiStyle

These are the 10 most-liked Fujifilm recipes published to the FujiStyle community in 2026, counted by likes as of October 29, 2026. Scotland leads with 560 likes, followed by Fuji Blue Summer and Summer Blue. Each entry below has the card's full settings, the light it suits, the light to avoid, and the oldest camera generation that can use it as written.

"Most-liked on FujiStyle" means likes, not imports: a like says someone enjoyed the photos, not that they put the recipe on their camera. The FujiStyle community has over 10,000 public recipes, so treat this top 10 as a shortlist. The ten cover more kinds of light than you might expect, from an overcast Highland track to sunny beaches, snowy streets and neon at night, so pick by the light you shoot in most. New to recipes? Start with What is a Fujifilm recipe?

At a glance

"X-Trans IV" here means the X-Pro3 and later. The X-T3 and the original X-T30 have no Classic Neg., Color Chrome FX Blue or Clarity, so recipes marked X-Trans IV can't be used on them as written. *Reala Ace is only on newer bodies: those with the fifth-generation processor (including the X-S20, X-M5 and X-T30 III) and recent GFX models. Go by your camera's film simulation menu.

The 10 most-liked Fujifilm recipes, one by one

1. Scotland · Reala Ace

The overcast pick: a little warmth and contrast put back into a gray day.

• Best light: Overcast landscapes, grass and stone walls. Overcast light runs cool and the fixed Daylight white balance won't correct it, so R+3 / B-5 pulls it back toward warm, and Shadow +1 restores the contrast an overcast day lacks.
• Avoid: Harsh midday sun, where Color +3 and Shadow +1 get heavy.
• Camera: Reala Ace is only on newer bodies, so check your camera's film simulation menu. The card doesn't list a camera.

Shared on FujiStyle by emma · 560 likes

2. Fuji Blue Summer · Classic Neg.

Classic Neg. pushed cool: deep blue water, soft edges and heavy grain.

• Best light: Beaches and bays in full sun. A fixed Daylight white balance with R-1 / B+4 cools the frame, Color Chrome Effect and FX Blue on Strong deepen the sea, and Clarity -4 with Strong / Large grain softens it back toward film.
• Avoid: Overcast days and portraits in shade. The cool shift has nothing warm to balance it there, and skin turns cold.
• Camera: X-Trans IV from the X-Pro3 on, or newer. The card lists an X-S20.

Shared on FujiStyle by Damian · 502 likes

3. Summer Blue · Classic Chrome

Blue that comes from Classic Chrome itself and FX Blue on Strong, with the white balance left at Daylight, R0 / B0.

• Best light: Seaside portraits and scenes where blue fills the frame. It uses DR100, so in hard sun large white clouds, white walls and white shirts clip easily; take a little exposure off first.
• Avoid: Overcast days. Its blue depends on there being blue in the scene; under a gray sky it just looks cool and muted.
• Camera: X-Trans IV from the X-Pro3 on, or newer. The card lists an X-M5.

Shared on FujiStyle by Haihalu · 434 likes

4. Cyberpunk · Classic Chrome

Built for the city at night: Incandescent white balance turns street light cyan, and Color +4 keeps the neon loud.

• Best light: Neon signs, shop windows and streets after dark. Incandescent white balance with R-3 / B+4 drains the orange out of artificial light, and both Color Chrome effects are off, so the signs stay bright instead of deep.
• Avoid: Daylight. Incandescent white balance under the sun turns the whole frame blue.
• Camera: X-Trans IV from the X-Pro3 on, or newer, because of Clarity -2. The card lists an X-T30 II and fixes ISO at 6400.

Shared on FujiStyle by finest_albert · 406 likes

5. Elvp CC ST 1.0 · Classic Chrome

Low-key and muted: Classic Chrome at Color 0, soft tones, and a bright subject left to stand out of the dark.

• Best light: Dim scenes with one light subject: animals, figures or objects against shadow. Highlight -2 and Shadow -2 keep the tones soft, and a fixed 5600K with R+3 / B-4 adds a little warmth.
• Avoid: Wanting bright, colorful pictures. With Color at 0 and both Chrome effects on Weak, it stays quiet even in sun.
• Camera: X-Trans IV from the X-Pro3 on, or newer. The card lists an X-M5.

Shared on FujiStyle by ELVIN POON · 389 likes

6. Pagoda · Classic Neg.

Warm, documentary Classic Neg.: deep shadows, red and gold held together.

• Best light: Temples, markets and streets in warm daylight. Auto white balance with R+4 / B-3 warms the frame, Shadow +2 gives it weight, and Color Chrome Effect on Strong keeps reds and golds from going flat.
• Avoid: Faces in hard sun, where Shadow +2 makes the dark side of a face very dark.
• Camera: X-Trans IV from the X-Pro3 on, or newer. The card lists an X-M5.

Shared on FujiStyle by milcah_h · 320 likes

7. Classic Blue · Classic Neg.

Cold and clean: Highlight -2 and Shadow -2 for soft tones, a cool R-2 / B+2 shift and Color at 0.

• Best light: Snow and clear winter cities, on Auto (White Priority) white balance.
• Avoid: Warm light and indoor lamps, where the cool shift turns yellow light gray.
• Camera: X-Trans IV from the X-Pro3 on, or newer. The card lists an X100VI.

Shared on FujiStyle by Shareal_willie · 311 likes

8. Hazy Chrome · Classic Chrome

Faded and golden: a strong warm shift (R+4 / B-7) with Clarity -3 and both Color Chrome effects off.

• Best light: Low sun, haze and backlight, when the light itself is already soft. The fixed Daylight white balance holds the warmth instead of correcting it away.
• Avoid: Crisp, high-contrast scenes and anyone who wants clean whites; everything leans yellow.
• Camera: X-Trans IV from the X-Pro3 on, or newer, because of Clarity and grain size. The card lists an X100VI.

Shared on FujiStyle by Udo Wuerth · 276 likes

9. August 1969 · Classic Neg.

Late-afternoon warmth: a fixed 6000K white balance with Color +4 and Shadow -2.

• Best light: Old buildings, pets and people in warm afternoon light. Shadow -2 keeps the dark areas open while Color +4 and Color Chrome Effect on Strong carry the orange.
• Avoid: Indoor lamps. A fixed 6000K on top of already-warm light goes very orange.
• Camera: X-Trans IV from the X-Pro3 on, or newer. The card lists an X-T5.

Shared on FujiStyle by BenTakesPicturesofStuff · 188 likes

10. Spring · Classic Neg.

Teal skies and heavy shadows: FX Blue on Strong, Shadow +2.5 and Strong / Large grain.

• Best light: Bright days with plenty of sky and greenery. Auto white balance with R+4 / B-7 warms the midtones while Classic Neg. and FX Blue push the sky toward teal.
• Avoid: Portraits in shade; Shadow +2.5 makes dark areas very dark.
• Camera: X-Trans IV from the X-Pro3 on, or newer. The card lists an X-S10.

Shared on FujiStyle by VanK · 168 likes

How to pick

Start with the light you shoot in most, then check your camera in the table above.

• Overcast: #1 Scotland, the one overcast set in this top 10.
• Sunny, with sea in the frame: #2 Fuji Blue Summer for a deep blue bay, #3 Summer Blue when there are people by the water.
• Sunny streets and travel: #6 Pagoda for warm color with weight in the shadows, #10 Spring for days with a lot of blue sky.
• Low, warm sun: #8 Hazy Chrome for haze and backlight, #9 August 1969 for late-afternoon warmth.
• Snow or mostly white scenes: #7 Classic Blue.
• Night: #4 Cyberpunk for neon and street light; #5 Elvp CC ST 1.0 for dim, quiet scenes.
• Indoors under lamps: none of the ten was built for it. Skip #8 and #9 (their warm white balance stacks into orange) and #4 (its Incandescent white balance turns ordinary rooms cold); the cards on Auto white balance, #6, #7 and #10, follow the light better.

If your camera has only a few custom slots, one recipe for sun, one for overcast days and one for night covers most days. A recipe your camera can't fully take (a missing film simulation, FX Blue or Clarity) won't look the same; the best Fujifilm recipe for each film simulation lists alternatives by film simulation.

How we counted

• Period: recipe cards published to the FujiStyle community in 2026, with likes counted as of October 29, 2026.
• Ranking: likes only. This is not an import count or a download count.
• Entry rules: each card needs at least three sample photos, and each uploader appears only once.
• Where it came from: cards whose recipe or photos had already been published elsewhere, on an earlier card from another uploader or on another photographer's page, are left out. So the list isn't simply the top of the raw like count.
• Photos: cards whose samples carry a watermark are left out.
• Updates: at the end of December, this page switches to full-year like counts for 2026 on the same URL, and cards published later in the year may move.

Frequently asked questions

What are the most-liked Fujifilm recipes of 2026? Counted by likes in the FujiStyle community as of October 29, 2026, the top three are Scotland shared by emma (560 likes), Fuji Blue Summer shared by Damian (502) and Summer Blue shared by Haihalu (434). All 10 are in the "At a glance" table, with full settings below it.

Which is the best Fujifilm recipe? No recipe is the best in every kind of light, and the most-liked one isn't automatically the most useful for you. Scotland, at #1, is an overcast recipe built on Reala Ace. If you mostly shoot sunny coasts, #2 Fuji Blue Summer or #3 Summer Blue fits better; at night, #4 Cyberpunk; for snow, #7 Classic Blue; in low, hazy sun, #8 Hazy Chrome. Start with the light you shoot in most, then use the "How to pick" list.

How is "most-liked" counted? Only by likes in the FujiStyle community; it is not an import count or a download count. Only recipe cards published in 2026 count, each needs at least three sample photos, and each uploader appears only once. Cards whose recipe or photos had already been published elsewhere, on an earlier card from another uploader or on another photographer's page, are left out, and so are cards whose samples carry a watermark. This version runs through October 29, 2026; at the end of December, this page will switch to full-year like counts on the same URL.

Which of these recipes work on older Fujifilm cameras? On X-Trans IV bodies from the X-Pro3 on (X-Pro3, X100V, X-T4, X-S10, X-E4 and X-T30 II), 9 of the 10 work as written. The exception is #1 Scotland, which needs Reala Ace; only newer bodies have it, so check your camera's film simulation menu. The X-T3 and the original X-T30 have no Classic Neg., Color Chrome FX Blue or Clarity, so none of the ten works on them as written; #4 Cyberpunk comes closest, since Clarity is the only setting it uses that those cameras lack. A film simulation your camera lacks can't be written to it, and it won't be swapped for another one, so check that your camera's menu has it before you write. For alternatives that fit your body, see the best Fujifilm recipe for each film simulation.

How do I add these recipes to my camera? There are two ways: set each item in the camera menu and save it to a custom slot, or open the card in FujiStyle and tap Apply Recipe to write it into a slot. The steps are in How to add Fujifilm recipes to your camera. Even with only a few slots, organizing them by light works well: one for sun, one for overcast days, one for night.

Why doesn't a recipe look the same on my camera as it does in the samples? Because the settings are only half of it; the other half is light and exposure. The same recipe looks very different at noon and on an overcast day, or indoors and out, and the uploader's exposure compensation habits don't make it onto the card. For a fuller troubleshooting guide, see Why do online Fujifilm recipes never turn out the same when you use them?

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About the photos in this post

Every sample here comes from the FujiStyle community. The recipes and photos were uploaded by the people credited on each card, and the settings are listed exactly as they appear on the cards. Only one of the ten, Scotland, was built for overcast light, and none for indoor lamps. If you've made good photos with one of these recipes on a gray day or indoors, please share them with the community; next year's list could use more of them.

One note on credit. "Shared by" means the user who uploaded the recipe to FujiStyle. Each name here is the person who shared the card on FujiStyle, not necessarily the recipe's creator. If you know who made it first, or spot a wrong name or setting, tell us through the feedback option in the app and we'll correct it.

Putting a recipe on your camera with FujiStyle

Every recipe above is a card in the FujiStyle community, with its sample photos and full settings, so you can search for it by name in the free FujiStyle app. A few minutes before you head out is enough to set your camera up by light:

1. Write it to a custom slot. Open the card, tap Apply Recipe, choose USB or Bluetooth, then pick a slot, and the app writes every setting on the card in one go instead of you stepping through a dozen menu items. iPhone works over USB or Bluetooth (15 camera bodies support Bluetooth; the list is in the app), Android over USB, and the result is the same either way. A simple setup is a sunny recipe in C1, an overcast one in C2 and a night one in C3, so switching is a turn of the dial.
2. Check what landed where. Writing to a slot replaces whatever was there, with no undo, so save recipes you like to My Recipes first and you can write them back any time. Afterward, tap Camera Recipes to see what every slot on the camera holds now.
3. Try it on your own RAF first. Not sure which one suits your light? Connect the camera over USB, open Raw Darkroom, and apply these cards to RAF files you've already shot; the camera's own engine re-renders them on your phone, and you can write the one you like to a slot. The darkroom works over USB only (Android phones need OTG on), the camera's connection mode has to be USB RAW CONV./BACKUP RESTORE, and the RAF has to come from the same camera model; some bodies don't support it, and the app tells you when you connect.

When you shoot, turn the dial to the slot you wrote and use P, A, S or M, since AUTO and the SP scene modes override custom settings. With the settings handled, all that's left for you on location is reading the light and setting exposure.